Teaching in San Francisco and other News

Teaching in San Francisco and other News

Please come to my workshops in San Francisco/Oakland [Nov. 29th and Dec. 2nd]  Read about them and sign up at the Soja website:  sojamindbody.com/schedule/   (make sure to click on "Adult Workshops").  You can also see Anna Valdiserri's and Rory Miller's workshops there, I highly recommend them.

I would like to spend a little time pitching my workshops here.  The copy text is challenging to write because I'm in uncharted territory.  I'm a cowbody doing my own thing.  

The Circus Daoyin class is my attempt to bust yoga people out of the "prison" of the yoga mat. 

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Boulder Colorado

I just moved to Boulder Colorado with my wife Sarah.  Many people have asked me why?  The answer has too many answers.  But I want a big change that will inspire me to do things differently.  

At the moment we are looking for housing, it is shockingly cheap compared to the San Francisco Bay Area.  This gives me hope that there will be enough of a population interested in dedicating lots of time to learning the arts.  I have no idea yet where I'm going to be teaching, but there is a lot of optimism floating around and plenty of spaces.  

Anyone who wants to help with connections or ideas would be welcome.  I'm searching for collaborators.  I love helping other people with their business or art projects and I love learning new stuff, and I particularly love trying experiments.  I also have experience teaching a wide range of stuff, all of which I'm happy to share:

Daoyin, two types: 1) Orthodox hermit floor practice, 2) circus animal yoga.  It can be taught as a classic yoga class, or as systematic enlightenment training (elixir or emptiness), or as games and puzzles, or for ground fighting and conditioning.

Improvisationally loaded fighting class games, with a nod toward tantric forms of enlightenment (see previous post!). 

My classic kids classes using drums gongs, and wood blocks to teach shaolin and daoyin as a creative performing art.

I want to try teaching an African martial arts strategies of conditioning class using drumming to teach fighing. 

Lectures: History, Daoism, Religion, Theater and Martial Arts.  

Tons of different Qigong systems.

Yiquan, for meditation, health or fighting.

Bagua, Tai Chi (three styles), Northern Shaolin, Lan Shou, Liuhexinyi, tumbling, dance.

Workshops:  This is a totally open thing, the idea being that any aspect of the arts can be modularized.

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Note that I used the term "fighting" above which can mean a lot of different things from self-defense to games to professional uses of force strategies-- and all of them come with profound identity challenging discussions of morality and amorality.

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I was at a wonderful party a few weeks back and a mathematician asked me if I'd ever heard of Long Tack Sam?  I was embarrassed to say that I had not.  There is some very interesting stuff on line if you search around, there is also a film, and if anyone knows how I can get to see it, please let me know.  He was a professional performer from that triangle around Shandong and southern Shanxi that was martial arts 24/7.  After the Boxer rebellion and the start of the Republic Era (1912) all sorts of obstacles were put in his path.  His group's specialty was tricks using the queue, which was banned under penalty of death!  He managed to escape to the United States and toured internationally and was a huge success.  Had he stayed in China I suspect his only real option for success would have been to teach martial arts or go into some completely unrelated field.  Anyway a very interesting case, there is also a bunch of stuff in the movie (I think) about how ashamed his descendants were of his performer caste origins.  

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I also came across this short piece on a sword maker in Taiwan.  His story makes a great metaphor for a bunch of the cultural re-texturing that is going on right now.  He is making very high quality steel specifically designed for martial artists.  In order to tap into the authenticity of the ancients he is using an industrial process built on knowledge of engineering and metallurgy.  But there is also a strong handi-craft element, or what I like to call--be your own lumberjack-- his swords get an authenticity and a quality boost because they are partially hand made.  He polishes them for 2 years but the explanation of why is built around chemistry.  And on top of that he has some kind of dreaming practice and transmediumship or "channelling" relationship to the gods which he is reluctant to talk about but which is also framed as essential!  I love it.

Martial Arts Games Workshop this Sunday!

Martial Arts Games  with Scott Phillips 
Sun: 4/6/2014   From: 12:00 pm - 3:00 pm
Cost: $40 for this 3 hour course.  Soja monthly members receive an automatic 10% discount.
 
The purpose of playing games is to have as much fun as possible and to unleash spontaneity which is the only proof we have that we are not robots.  When we get rid of fear and replace it with exhilaration, competitiveness melts away, leaving behind a joyful cooperative buzz that lasts for days. The martial arts skills we condition and test in games are the skills we trust the most.
 
Traditionally folks retreated to the quiet mountains to meditate and find equanimity, but martial artists were rebel tricksters who instead invented games that are sneaky down and dirty short-cuts to enlightenment. They are the quick and easy route to joyful comfort in our bodies, discarding limitation, and entering the Void via a secret door.

We will particularly work with creating positive stimulation via soft hand slapping, unbalancing, and games that condition speed with relaxation and increase spatial awareness. Come ready to play, invent and develop ways to improve martial arts games. Bring your own funny bone, you may have the opportunity to hit someone with it.

Sign-up Here at the Soja Martial Arts Website, click on Schedule and then on Adult Workshops.

Internal Power 101

Hey Everybody!  I'm teaching a workshop called Internal Power 101
At Soja Martial Arts
Sunday 12/2/2012 
 From: 11:00 am - 5:00 pm
Soja is located at:  2406 Webster, Oakland, CA, 94612 between 24th & 25th Streets.

The workshop will be an overview of the power generation methods used in all traditional Chinese martial arts: Tai Chi, Xingyi, and Bagua Zhang. 

Workshop cost: $90 for non Soja Members, 10% off for Soja current Adult members.
Here is the skinny:

What is perfect structure and what are its limits? Laozi said, “Knowing when to stop is wisdom.” How do we know when we’ve had enough of a particular type of training? How is it possible to have a calm body and a wild mind at the same time? How can we prepare emotionally and physically for the hardships which happen after a violent encounter? Is it possible to attack in such a way that the opponent can not figure out how to resist? How can a martial art be consistent with the Daoist cultivation of emptiness (xu-kong), non-aggression (wuwei), and natural spontaneity (ziran)? 

Because comprehending a kinesthetic idea requires actually being able to do it, the answers to these questions became a list of solo and partnered experiments that fall into three general categories:

Jing 精- Discovering the underlying structure expressed in traditional Chinese concepts of anatomy and physiology through the exploration and testing of daoyin and shaolin movements and postures.

Qi 氣- Dissolving conscious and unconscious tension in the body in order to reveal the unconditioned freedom of our water-baby-like original nature.

Shen 神- The development of an active spatial awareness which is unconstrained by the trances of everyday living.

11 am - 5:30 pm  6 hours with an hour lunch break (12:30-1:30) $80 (early registration) or $90 after.
 
Please note:  Soja does not offer refunds for this workshop for any reason, but in case your schedule changes at the last minute in most cases we will apply your funds toward future workshops or regularly scheduled classes.

Scott P. Phillips taught the Tai Chi and Qigong programs at the American College of Traditional Chinese Medicine, before that he spent ten years studying Daoism with Liu Ming the founder of Five Branches University, and he has practiced martial arts all of his life. He is a senior student of renowned masters George Xu and Bing Gong. He has an extensive background in ethnic dance and improvisational theater, and also teaches Baguazhang, Luihe Xinyi, Yiquan standing meditation, Northern Shaolin as a performing art, and Daoyin.

 

Sign up by calling: Peter at 510.832.7652    

or Emailing:  info@sojamartialarts.com

or got to SojaMartialArts.com and click through to Schedule/Adult Workshops.

New Classes

I'm in the thick of it again.

Tai Chi and Qigong starts up again this Wednesday Jan 5th, 2011, at 5841 Geary Street, 6 to 8 PM.

Bagua Zhang and Qigong start up Thursday morning Jan 6th, 2011, Douglass Playground 6 to 8:30 AM.

All in San Francisco of course.  But I'm available for private lessons in Marin too since I live near the bridge.  I take phone calls if you have questions...415-752-1984.

This week I'm beginning 10 new children's classes in Northern Shaolin as a Performing Art in schools, that's in addition to the 2 I'm already teaching.

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I had a great vaccation, did a ton of reading and practice, I didn't check my email or phone for 14 days.  Yeah me.

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I have a new theory I'm excited about. I'll just share it with y'all briefly because I'm headed to bed early these days.

Here are some interconnected notions.

1.)  The frontal cortex of the brain is the part we usually associate with "thinking."  The frontal cortex counter-intuitively has a largely inhibitory function.  We don't usually think of  "thought" as a form of inhibition but it turns out that if I think about jumping out the window my brain does most of the things it would do if I actually did get up and jump out the window.  But in addition to all those things my frontal cortex inhibits my movement. That's why you can improve a skill just by thinking about doing it.

2.)  The various nerves which send messages from the body to the brain operate at different speeds.  Some of them are lighting fast, like the nerves sending information from the eyes, the ears, and those involved with spacial awareness.  But the nerves which send messages from inside the body to the brain are much slower.  Naturally, as martial artists we should instantly recognize that any information received from the slow nerves inside the body would be useless in a self-defense situation.  As Rory Miller puts it, "Time is damage."

Thus; the reason we practice internal martial arts slowly is to first make sure that we are not inhibiting any movement on the inside.  Inhibitory movement includes many things like stabilizing or rotating individual joints or holding strength in the abdomen.  Once all that inhibitory tension is gone then we can move (spread?) our mind to the outside of the body, to the fast nerves, to the instantaneous awareness of plastic and dynamic space.

As I have been saying now for about a year now-- body inside the mind, not mind inside the body.

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Also check out Rory Millers new workshop in SoCal, he is hinting at another one in San Francisco soon too.

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Happy New Year!3221829804_94d1960374