The Journal of Martial Arts Studies

This wonderful publication is now out.  It is free, and I have a review it.  Check it out!  Download it.  Share it.  A new field of study has come into existence.  

The whole thing: The Journal of Martial Arts Studies

The Individual Articles

Weakening into the Void

Weakness is a door for returning to our true, unconditioned, baby-like nature (zhende 真德, yuande).  But weakness itself is not a type of fruition we seek.  The idea of nurturing weakness arose because aggressive intentions preclude subtlety, cover up sensitivity, and obscure awareness.  Focus is aggressive.  Focus limits responsiveness.  Weakness is a way of keeping options open.  

In the early debates between Buddhists and Daoists, both advocated for a kind of potency.  Buddhists argued that a focused mind could be used to break through to clarity, and Daoists countered that clarity was self-arising.  

Daoists also argue that strength is self-arising.  In fact, I have become an advocate of self-arising strength. The problems with strength all come from putting intent into the muscles.  If strength is limited to the physical body, the power of the void will be less accessible.  If this sounds mystical, bring it up with Rory Miller, he is saying similar things.  It isn't mystical, it is the way our bodies work when we drop aggression.  

In order to develop coordination and self-healing, many people find it beneficial to develop the ability to feel every part of the inside of their body.  This is okay, as long as those senses do not become hardened.  The reality is that the inside of our bodies cannot be felt directly, the true feelings are defuse and confusing.  That's why babies need to wiggle their arms and legs for many months before they actually gain control of them.  It is a process of linking up the imagination with felt experience and visual perception.  All that is a function of the imagination, and it should stay imagination, flexible and dynamic.  The interior of the body should not become some hardened notion of truth.  When our imagination becomes hardened truth, Daoists call that death (or the birth of a ghost).    

A key concept of internal martial arts is the idea that the body can feel hollowed out.  This is called tong, sometimes translated "through."  It is the type of emptiness that allows a flute to produce sound, a hollowness that goes all the way through.  I am an advocate of any type of strength which supports the experience of tong. 

At some point, I noticed that students who do not have much tone in their biceps have trouble keeping their shoulders tong.  This led to my own experiments, and now I advocate keeping the biceps toned all the time as a way of keeping the shoulders tong.  Relaxation is fine as long as the biceps remain toned.  Another way people lose tong, is by pushing their shoulders down, this destroys the open space and commits the arms to a line of power.  This is probably the biggest structural error in the world of martial arts.  It is very common. People with this training will have to pass through a period of feeling weak before they can establish actual strength with tong.  I used to think this period of weakness needed to last months or years, but that was a hook without a worm for most people.   I have since figured out that students can replace strength with shapes of empty vanity by flexing their biceps all the time.  By this method one can drastically cut the time it takes to develop tong shoulders. The key is that strength must stay in the imagination, the biceps must not be used to carry.  If a student picks up a weapon, they must imagine that it is part of their body, not something they are carrying.

So weakening into the void means recognizing the emptiness of all strength, and cultivating it.  The mind does not go into the muscles.  The mind must remain unfocussed and without limitation.  Plastic.  The mind goes into the void.

Naturally, acting skill works the same way.  Strength or image which is committed to the body becomes permanent character.  Theatricality can be built either around a profound change in a person's character, or around a character who refuses to change even while everything around them is changing.  In either case, the actor does not want to become a permanent character, acting skill is the ability to take on new characters and imagine dynamic worlds for them...  Acting requires being weak and unconditioned enough to allow strength to be self-arising.  Daoists call this pacing the void (步虛 buxu).  

 Here is a diagram for the ritual from Michael Saso's website:

What is Qigong?

Since I began teaching qigong around 1990, I have learned, practiced, and taught countless styles.  I think we should change the naming conventions of qigong because they do not match my empirical experience. 

There is one book everyone who practices qigong should read, Qigong Fever, by David Palmer.  It is a history of the politics that created the name "qigong," and the communist political clique that created a vast quantity of junk science claiming qigong was good for everything from curing cancer to re-directing guided missiles (I'm not kidding).

The problem arose because the methods (styles) of practicing qigong were removed from the Golden Elixar (jindan) framework that originally grounded it.  That framework is jing-qi-shen; where jing is everything physical or structural, and shen is everything imaginary including the functional spatial imagination.  In this framework, Qi is the intermediary between these two conceptual-experiential categories.  

Qigong is simply moving with a felt sense of qi around ones body.  With regard to the internal martial arts, that feeling of qi acts as a buffer in between the physical body and the spatial imagination.  The quickest way to develop this feeling is through brush bathing.  

Brush bathing is very simple.  Sit on a bench and pour a bucket of hot water over your head.  Then scrub your whole body with a stiff brush; starting at the top and moving towards the feet, scrubbing the yang meridians before the yin meridians (back before front).  Then pour four buckets of hot water on your head and one cold bucket.  After each bucket visualize (see and feel) the steam as a color permeating your skin and out into space.  The colors should changed from dull to bright, and follow the five element color sequence: green, red, silver, violet, gold.  

Brush bathe everyday for a couple of months until this felt visuallization is easy to conjure.  Meanwhile, learn to dance while maintaining these felt visualizations.  That, in my experience, is the entirety of qigong, the rest is marketing and hand-holding.  

So what are all those other "qigong" type things that people do?  They all fall either into the category of jinggong or shengong.  (The word "gong" means work in modern Chinese, but in a non-communist milieu it means to accumulate merit.)

Jingggong is any specific pattern (or quality) of movement.  (Once you have the pattern, you can add your qigong felt visualizations to it.)  The purpose of jinggong is to change ones physical body through refining ones awareness of it.  That covers a wide range of experiences including: coordination, relaxation, imitation, rhythm, breathing patterns, and ways of connecting or integrating through the body.   

Shengong is the practice of moving the body exclusively with the imagination.  This is how all the internal martial arts work, but it also includes subtle or invisible movements that may happen while practicing visualizations in stillness.  

Jinggong works fine without qigong. And qigong is a wonderful practice on its own too.  They also work well together.  But shengong is not going to work unless one has mastered the qigong practice.  And shengong will not work for martial arts or dance unless the movement patterns (jinggong) are established first.  At the risk of stating the obvious, if one does not know how to kick someone in the head shengong will not help, learn the skill first.  

Colors are a useful way to trick ones mind into experiencing empty space as having substance, so that it becomes easier to manipulate.  There are countless other tricks.  I suspect it will be some time before my naming conventions become conventions.  But calling everything qigong, is not consistent with the basic cosmology of the body or the practice.  Let's change it.