While Singing and Dancing

While teaching class the other day, George Xu said, "I am totally relaxed.  Fighting puts no strain on my internal organs and there is no effect on my breathing.  My legs are effortless, I have no root.  My jing and qi are completely distilled, I am fighting only with spirit.  Because of this I can beat you while singing and dancing!"

Then he started doing a rather strange Texas Two Step and singing what might perhaps be characterized as a guttural dirge, while knocking the student he was working with off his feet, as well as the two students who rushed him.

Naturally, me being me, I posited that perhaps George Xu had reverse engineered this notion from the deep past.  That 250 years ago it was common to associate martial arts with singing and dancing, and that of course the great masters could do all three at once.

Hundun


How pleasant were our bodies in the days of Chaos


Needing neither to eat or piss!


Who came along with his drill,


And bored us full of these nine holes?


Morning after morning we must dress and eat;


Year after year, fret over taxes.


A thousand of us scrambling for a penny,


We knock our heads together and yell for dear life.


- Hanshan



Hundun, (also huntun), is translated in the above poem as "Chaos," in an earlier post I translated it, totally undifferentiated chaos.  It is the closest a human can come to experiencing Dao.  Did someone say soup?  Hold on, I'm getting a text.  It was...the wind.

It's all Local Now Baby!

Samurai bones are being brought back from the dead...sort of.
Very large numbers of fighters had been beheaded – many almost certainly as a result  of trophy-taking practises by the emperor’s forces. In 14th century Japan, victorious warriors often only received rewards for success in war if they proved their achievements by presenting the decapitated heads of enemy warriors to their leaders.

Decapitated enemy heads thus became a bizarre currency of a military accounting process which rewarded victors only if they could furnish proof of their military accomplishments.

One of the skeletons, looked at in detail by Dr. Wysocki and featured in this Sunday’s Channel 4 documentary, is a probable female samurai. In the 13th and early 14th century, many Japanese women, under the Shogun’s rule, were relatively emancipated, enjoying virtually the same property rights as men, the right to inherit property and were, like men, required to perform military guard duties.

Or maybe like this.

And this is of note, particularly since a new student collapsed from medication in my class on Saturday, we called 911 and took care of him.  He is doing fine now, thank goodness.

MV5BMTk4ODk5MTMyNV5BMl5BanBnXkFtZTcwMDMyNTg0Ng@@._V1._SY317_The new movie Warrior is excellent.  I'm not linking to the video preview because I think it gives too much away.  Here is all you need to know.  It is emotionally very well composed, better than "Good Will Hunting," of a few years back.  It is the third major film to use a new style of stage combat based on Mixed Martial Arts, the first was the steam bath scene from "Eastern Promises," the second was "Red Belt."  The fight scenes are really good.  I never knew what was going to happen next and was totally engrossed in the ups and downs of winning and losing and doing the right thing.  The theme of the film is fighting for love.

Here comes the Hong Kong film festival this weekend!  Looking to checkout "Mr. and Mrs. Incredible," and "City Under Siege."

The corruption at The San Francisco Unified School District just won't stop.  (Here too.)

Here is some sobering news about China, and a rather dark vision too.

If that is too much for you to take in, this funny culture crash story about Chinese religion should brighten your day.

I've got some great stuff for you on African American martial arts in the next few days but while you're waiting check out this old master!



Oh yeah, and I love this invention!

Acupuncture Meridians

book-final-large-with-layer-shpFor a hundred or so years people enamored by acupuncture have put forward theories about how acupuncture works. A few of these theories have made the stretch from possibility to plausibility.  (See here for a partial list.) For the most part they rely on endocrinology and the chemistry of the brain.  No theory, until now has been put forward which explains why the meridians are where they are and simultaneously offers a plausible explanation of how the work.

The new theory offers that meridians are "emergent lines of shape control," which effect the body through overlapping "contractile fields."  (Wooh!)  It is put forward in a book called Muscles and Meridians, the Manipulation of Shape, by Phillip Beach.  While reading this rather long and dry text, something shocking occurred to my fragile mind.  For someone steeped in Western Civilization, to even entertain the possibility that acupuncture is efficacious we have had to ignore an enormous affront to our sensibilities.  The affront is that knowledge of the precise lines of the meridians could have been discovered and mapped and then passed down for 2000 years of recorded history as a form of applied medicine without anyone ever learning how the meridians were originally mapped!  Oh, you might hear people say, they were just felt.  But come on, that is so easy to test.  You just find a barbarian who hasn't memorized the locations of the meridians and teach him to feel!  Zhen Da!  He will draw them for you!  But if this ever happened, there are no records of it.  One would think this would be a priority no?  I am of course willing to believe that people have mapped and re-mapped the meridians many times over, and then then just kept their methods a secret.  That's cool, but even if that were true, (and we don't have any evidence that it is) it's still a huge affront to my Western Civilization sensibilities.

Anyway, I sense that Phillip Beach felt the affront and was motivated to do something about it.  Internet hero, Elisabeth Hsu has explained that the meridians were developed on the surface of the body and only later were connected to the internal organs.  Beach leverages this clue well.  It is also likely that many of the "points" were developed independently from the meridians.  Some points are easy to explain simply in terms of trail and error as the best spots to manipulate and maneuver a person passively receiving a massage, or actively resisting a martial arts technique.  Beach also leverages this point in his theory.  Another clue is the widespread idea in Traditional Chinese Medicine that only a few of the meridians develop in utero, some appear at the moment of birth, and the rest develop slowly over the first 5 or so years of human activity.  He uses this information in his theory as well, but if I wasn't already familiar with the idea I doubt I would have understood what he was talking about.  Unfortunately the book needs another edit.

Never the less, its a great theory.  He draws extensively on developmental embryology to show how different regions of the body are related and belong to the same contractile field.  A contractile field is pretty easy to understand.  If I poke you with something sharp, you will move away from the point in a very specific way by contracting certain parts of your body.  If I poke you in a different place, you will contract differently only if I have poked you in a different contractile field.  If I poked you on the same contractile field, but in a different spot than the first time, you will still respond pretty much the same way you did the first time.  But if I cross an invisible line suddenly your contractile reaction will be different.  This idea has been studied extensively in leeches!  Leaches have only 4 contractile fields but because the fields overlap, you can get 8 different contractile responses from a leach.  But only 8, no matter where you poke.  However if you poke a leach with two needles you can get some composite reactions.  Anyway that's the basic theory, the meridians aren't necessarily the boarder between two contractile fields, they are lines on the body which strengthen, weaken, or resolve the relationships between contractile fields.

Now that seems testable, as long as you have enough of a military attachment to deter lawsuits.

That probably should have been the whole book, but I suspect Beach wanted to demonstrate how overall shape changing or perhaps shape re-ordering relates to medicine.  I mean, I suppose at this point someone could try to argue that posture and alignment play only a small role in over all health, illness and disease, because methods focused singularly on posture have not passed muster (ie. randomized, peer reviewed fights to the death).  But the reality is that almost any chronic problem will eventually show up in the bones.  Archeologists have taught us that.

Seiza Seiza

Beach continues his argument by discussing his own idiosyncratic clinical experience, and makes some interesting points.  He describes 8 basic sitting postures, squatting, seiza, kneeling on the heels with the toes curled forward, seiza on one foot while squatting on the other, pike, on the butt with legs crossed, and on the butt with soles of the feet together.  He says that these ways of sitting are all good indicators of the proper functioning or integration of contractile fields.  When a patient presents with X problem and has trouble getting into one of these "shapes," it becomes part of their prescription to practice trying to get into it.  Not hugely convincing, but it did make me think that these seated postures ought to be part of a routine check-up.  If you had to demonstrate your ability to sit in all these positions when the doctor was listening to your breathing and tapping on your knee, it would eventually become part of peoples self-health evaluations.  That would be a mighty good thing.  I can just see all the mothers fretting that their teen-aged sons have flunked "squatting."

Lastly, Beach spins some fun stuff about the feet.  He calls shoes, "sensory deprivation chambers."  Who knew?  Honestly, this part of the book excellent.  He suggests that the vast majority of lower back problems can be fixed by walking barefoot in an uneven rock garden for 20 minutes a day.  The feet are very sensitive, they have the capasity to resolve and change complex structures in the lower back.  In my own experience many people are suffering needlessly because they never walk on uneven ground.  I don't just mean hills or groomed paths.  I mean really uneven rocky ground.  Scrambling and scurring over rough terrain resets all the components of locomotion--balance, spacial awareness, rhythm, shrinking, expanding, alignment, liquid mass manipulation, and force transmission through the bones.

Having pondered this book for about two months, I have two objections.  The first is that he just dodges the "What is Qi" problem.  This must have kept him up at nights, finally deciding that the theory stood up better without any explanation of qi.  But this leads to the second objection, how do we explain the direction of qi flow in the meridians?  If Beach's theory gets traction, and I think it should, we will likely see the notion of qi flow broken down in to different types of flow, each with distinct properties.

Block Prints of the Unseen World

I'm going to a lecture on Wednesday at 4 PM, with a slide show by David Johnson the author of Spectacle and Sacrifice, The Ritual Foundations of Village Life in North China.  He is speaking about the following exhibit.  Check it out.

Speak of Good Things: Nianhua and Chinese Folk Tradition


Exhibit - Artifacts: Center for Chinese Studies: Institute of East Asian Studies | June 22 – September 28, 2011 every Monday, Tuesday, Wednesday, Thursday & Friday with exceptions | 9 a.m.-5 p.m. |  Institute of East Asian Studies (2223 Fulton, 6th Floor)

And...happy Moon Cake Festival!  Just ate mine.

Contraband

Here is a nice video about the dance scene I was part of in the late 80's early 90's.  Those friends and that work had a profound effect on my notions of art.  Watching this made me feel artistically close to Sarah Shelton Mann again.  It also provokes me to think that some of the work I do today is in reaction to the imprint of excitement, the false promises and illusions, that we were all caught up in.