Steps of Perfection (part 1)

Before our former vice president invented the internet I had a habit of reading thick scholarly books. Now, I have to go hide out in the mountains for a few days or feign illness if I want to get through something really erudite.

While I love these books they are the opposite of juicy. That being said, if you have the discipline or isolation to really read a book, Steps of Perfection: Exorcistic Performers and Chinese Religion in Twentieth-Century Taiwan, by Donald S. Sutton, is an impressive work.

This book falls in the the category of books which are so scholarly they hint at the juicy ground breaking ideas rather than say them outright. With a book like this you have to read the footnotes or you might miss the best part of the argument.

The book is about a type of Chinese martial dance called Jiajiang which runs roughshod over all Western categories of conceptualization to such an extent that it takes a whole book just to say what the dance is. Sutton took a lot of video in 1993 while researching this book, and I would give one of my best swords to see the best of that tape. The book should have a DVD, but I guess the author didn't have proper releases or something (he hasn't answered my emails on this question so I don't know.)

(Here is a google video search for Jiajiang, someone with better Chinese language skills can probably find some better stuff, wink, wink? )

The scope of this book appears on the face of it to be narrow, but the implications of the book for conceptualizing Chinese martial arts, medicine and religion are huge. I'm going to spend a few days talking about this book so let me spin off for a minute to get you oriented.

The long history of the survival of various civilizations could be viewed as the project of getting nice people to fight. There are now and there have always been, humans who love killing. The duty of the civilized and the free is to see to it that people who love killing do not get into positions of power; and that in the event that such people do get into positions of power, they get taken out.

How that happens in each and every civilization or era is different. Historically in China there were several layers of organized armed groups which shared the duty of keeping power civil: Standing armies, militias, small professional forces maintained by a magistrate, and local family protection societies.

How do you get people to support the common good in an environment in which there are competing interests. Part of what this book deals with is how people are connected through ritual, and how various needs of the different layers of society find their way into ritual expression. Yikes that's a mouthful.

The jiajiang martial dancers share some of the important roots of modern martial arts. Sutton maps a spacial environment in which different ways of organizing reality overlap and interact.

In one corner you have Daoist ritual which is done in private. Orthodox Daoists by definition do not subordinate to deities. They perform rituals with cosmological forces that go unseen by the general public, but exist in peoples' imaginations. People know about them, even if they don't see them. Daoists are part of a bigger landscape of ritual relationships, and they represent a particular approach to life.

In another corner are the representatives of a government which has its own rituals. Historically, for instance, magistrates would arrive in an area with a sedan chair and an entourage, sometimes huge processions demonstrating real power.

In another corner there are the trance-mediums who publicly speak for and with the gods, controlling and healing people with other worldly powers, spells, and self-mortification.

Then there is the corner of medicine and elite scholarly exchange which merges in to the much larger realm of commerce.

And then there is the popular realm where local elites interact with the guy who drives the gravel truck. Where martial artists train and perform gongfu, where school kids learn martial dance routines for a two day festival procession that twists around visiting local temples and homes. Where the presence of the dead is felt in places people frequent and exorcism is a regular occurrence. A place where gods and demons possess not just mediums, but the guy you went to high school with.

The fighting dream dances of Taijiquan and Baguazhang came out of this world, and like everything else that grew up in Chinese society, these arts have a limb in each corner.

Red or White?

George Xu used to tell us stories about the Wild East. Often he was a character in these stories, and honestly I think they were true stories, but more often than not he seemed to be the cowboy with the white hat. (He was the good guy in morality tales that may or may not have been so black and white.)

One story he told us took place during the Cultural Revolution when he was on "The Farm" (forced re-education camp with inadequate food and shelter). Nearby "The Farm" there was a black-marketeer who dealt in cigarettes and alcohol and, among other nasty things, happened to be a rapist. He was a bad dude, with some kind of back up, and a tough-guy-name like "Black Face."

After some particularly cruel machinations by Black Face, George broke down his door looked him in the eye and said, "Which do you want red or white?"

Dropping his box of contraband cigarettes and shaking in his chair, Black Face asked indignantly, "What do you mean Red or White?"

George replied, "Red, I stop when I see blood. White...Death"

From that day forward Black Face was no longer a problem for the locals, (I think he chose red.)

Systems

One of the basic ideas of Systems Theory is that if you have a complex system and you speed up one part of that system, you will slow down the whole system.

Likewise, if you make one part of a system more efficient you will make the whole system less efficient.

In martial arts, if you have one joint that is looser than the adjacent joints, the body will tighten up somewhere else to compensate for the loose joint, which will make the whole body less efficient.

Likewise, if you have one muscle or one muscle group that is stronger than the adjacent muscles, the system will be weaker and less efficient.

Systems theory, by the way, is really just a collection of observations about how stuff works. An important observation that is practically a rule of industrial commerce, is that for any given output or product created by a system with multiple variables, there is a way to make the system more efficient. I posit that this is why we can always improve our martial arts skill.

If you want to speed up and improve the efficiency of a whole system the best way to do it is to confine the output, limit the product produced, and then run the whole system at different speeds, both fast and slow, to see where the weak links are. Then you can focus on efficiency in that one location or component. Games like Push-hands, sparring, boxing, sumo, and even MMA, all confine output. They all "run our systems" with confining rules that limit output and thus allow us to find the weak links.

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 Formosa Neijia responded to my last post with a post of his own.  Systems theory would suggest that strengthening or weakening any one region of the body is a losing strategy unless you have already shown that for a given output that region is the weak link.  In other words, whole body unity should be a priority--both the measure of any intermediate steps, and the final fruition.

Proprioception and Kinesthetic Awarness

To feel your body or not to feel your body, that is the question.

If only Hamlet had studied Tai Chi.

The tongue always feels things bigger than they actually are. If I try to feel the size of my hands with my eyes closed, they usually feel bigger than they actually are. I know how big they are supposed to be, but I still feel them bigger. If I keep my hands still for a few seconds with my eyes closed my sense of how big they are starts to morph into other shapes.

Taking drugs can disorient us so much that we do not feel our bodies. They can also cause us to feel our bodies in weird expansive or contracted shapes, or to feel intermittently. But we don't need drugs for this, if you are flirting to someone really hot, you might forget about your own body altogether. A great conversation, reading or writing, watching a movie, all of these everyday experiences can cause us to forget our bodies, to feel them in an exaggerated way, or to drift in and out.

Traditionally strange feelings and disembodied feelings were covered under the subject: trance and possession. Now we have the scientific categories of proprioception and kinesthetic awareness.

Extreme relaxation, or extreme stillness often result in the sensation that ones body has no boundaries.

Pain starts with exaggerated feelings of the body and often leads in and out of feelings of disembodiment. There is nothing like getting hit to make you feel your body, but if you are going to keep fighting you need to "shake it off." What is being shaken off? A contracted sense of space?

When big muscles are engaged and experience resistance they cause us to feel our bodies at the expense of our sense of space and movement. Thus my often repeated comment that they make us insensitive. But more specifically what they are doing is making us feel in a limited way.  Movement orients us, muscle tension reduces our ability of perceive.
There is a continuum of  proprioception ability from superb to dysfunctional.  The Sensory Processing Disorder website is a great place to learn about how to recognize proprioceptive problems in yourself and others.

Here is a really nice article that explains how proprioception interacts with other senses.

Here is an article about consciously training proprioception.  It got me thinking about how my body learns, but practicing internal martial arts does everything these silly exercises do.

Of course there is always Wikipedia.

The traditional Chinese categories of shen, xin, jingshen, yi, jin, and shi all refer to and encompass aspects of proprioception and kinesthetic awareness.  How else could "shi" be translated variously as: strategic advantage, a location at the center of change, potential energy, and the unification of active power with inner quiet.

Feelin' Shen

The concept of Shen has so many meanings in Chinese that it probably deserves a whole book. The shen I'm talking about here is the one that is most often translated "spirit" and is the lighter more expansive aspect of qi. (I'm not going to attempt a comprehensive definition.)

One way to explain shen is to say that it is "how we feel space." During moments of extreme fear our shen closes in on us like plastic wrap around our bodies, in English we use the term petrified to describe this feeling. Conversely, when we are in a warm safe environment with a spectacular view in all directions our shen expands way off into the distance.

(Humans are complex creatures. Some people seek out that petrified feeling, perhaps because they treasure the release which happens when the fear finally lets go and turns to exhilaration. People with agoraphobia become petrified at even the thought of wide open spaces.)

Another way to think about shen is what we sometimes call "body image," that is, the way we feel about and perceive our bodies. Skill in martial arts involves the ability to change your own body image as well as the ability to manipulate other peoples' body image. Few people could step into the ring with Mike Tyson and not feel a twinge weakness and fragility. A great fighter, just like a great actor, can make you feel like you are "king of the world" one moment and "a cockroach under a boot" the next.

I believe that hormones have a big effect on shen. How many of us have known a slender woman who once a month asks if we think she is fat? The first time this happens we laugh and say, "Yeah your a regular hippo." The second time this happens we say, "No, honey, of course not," only to be accused of being patronizing or worse. No doubt most of us have learned, through trial and error, that a failure to respond will be received as "ignoring," and that the best response is an audible but non-verbal response:

"Ahhh," can work but risks implying agreement as in, "Ahhh, I see what you mean."
"Oohhh, can also work but might be interpreted as "Oohh, interesting," which would be patronizing again.
The correct response is, "Uuuhh?" exuding slight confusion coupled with perfect acceptance of the statement.

It should be obvious at this point that shen is affected by physical training, diet and sleep. And also that it is very hard to measure analytically.

One of my students claimed not to be aware of shen for several years until we had a conversation about tension in the center of her back. She broke into a story about how when she was a little kid there was a certain place in the hallway of her house that she would pass through quickly because she always got this feeling that someone (or something) was going to stab her in the back. She overcame the fear by permanantly holding a little bit of tension in that one spot on her back. She relayed that her sister felt and did the same.

Chinese cosmology asserts that all shen experiences have a physical body component and all physical body experiences have a shen component. They are inseparable.

George Xu: On the Difference Between Predators and Humans

Here is the first part of the video I took this Summer of George Xu talking about the differences between predators and humans.

The material he presents is "indoor" high level martial arts. It is rare that teachers are willing to explain the most refined aspects of their art, especially in such a public way. One reason for this is simply that kinesthetic learning resists cognitive explainations. True secrets keep themselves.

Still I hope people will appreaciate these animated lectures and will take his words as a challenge to improve their art.

Predator vs. Human

The Era of Conditioning

I want to announce that we have officially entered the Era of Conditioning.

Conditioning has now become one of the primary ways we think about the world. It is not enough to learn good habits, we have to make them permanent. People ask questions like: How can we condition people to put their garbage in the trash? To not over eat? To work more productively? To not run red lights? To get on an airplane efficiently? To smile?

Sports, physical therapy, and parenting are all dominated by theories of conditioning. I did some boxing yesterday with gloves and mitts, issuing combinations of punches as the trainer calls them out. The whole idea is to condition a response in a cycle that is intense for 3 minutes and then rests for 1 minute. Release a combination when you see an opening, get your body out of the way when you are attacked.

Medicine is moving fast in the direction of conditioning. Like drugs that condition a particular response from the body. And more shockingly, we now have genetic engineering and stem cell research predicated on the idea that we can grow people the way we want them.

People are even trying to condition their hair!

I'm anti-conditioning. I believe in doing things form the inside out. If I said, "I believe in beginning from the heart," you could accuse me of being a silly romantic. But it's not because I want to bring out genius, or preserve mystery, I just prefer spontaneous unconditioned responses.

I try to teach people to have unconditioned responses. For me, teaching Shaolin to kids is about meeting completely self possessed human beings and presenting them with a tool they can use to keep their bodies unconditioned. A tool for countering or side-stepping conditioning. When a student enters the room the first thing they do is bow. The act of bowing is a declaration that only completely self possessed acts will happen in this room. Students are not permitted to say the words "I can't" because those words mean "something outside of you is in control." Teaching is not something one gives away, it is too difficult for that. It is something students must take for themselves.

In Chinese the term ziran means unconditioned and is often used to describe great art. It means: natural, so-of-itself, and spontaneous. There is even a style of gongfu called Ziranquan (Natural fist) famous for its loose light stepping. (Sun Yat-sen used a Ziranquan guy for his personal bodyguard.)
There is a fine line between super-high-level internal martial arts conditioning and a completely unconditioned, spontaneous, ziran response. It is the same fine line I have talked about before between "perfection," and "wuwei."

For instance, there are three approaches to jindan, the Daoist golden elixir (meditation/alchemy).

1. We could have the embarrassing idea popularized by Mantak Chia that we are moving qi around the micro-cosmic orbit (up the back and down the front), for no particular reason except "orgasmic power." That would be a type of qi conditioning, an act of inviting external forces to possess you.
2. Or we could have the perfection model of jindan, where through perfect visualization and embodiment of various deities and their attributes we become acutely aware of simultaneous movement and stillness. Here specific pathways of qi circulation become the measure of that swing between movement and stillness. That would be transcendent conditioning.

3. Or we could just naturally trust being still.

Ergonomic Crime

Not long ago I read somewhere that Martial Artists are left handed way out of proportion to their presence in the general society. At the time my morning class was 70% lefties.

Is this because us lefties have some advantage in fighting? Or do we just have more inner torment because deep down, we know we don't belong? In Italian left hand is "mano sinistra", the sinister hand.

When children in American schools are at their fastest rate of growth they are forced to sit in chairs that are harmful to their alighnment. The problem is doubled for lefties with long legs. Not that I ever accepted my victim hood; I refused to sit in these types of chairs in high school. If the classroom had them I brought along a foam backpackers mat and sat on it against the wall in the back of class.

The claim that sitting in one of these uncomfortable chairs staring at the back of someone else's head is actually good for learning and taking notes is worse than negligence. It is an ergonomic crime.

Blocking

I've said in earlier posts that higher-level martial arts don't use blocking. Those comments created a few ripples of discontent among my readers. It was pointed out correctly that at the technique-level Xingyi (and many other arts) use a type of punch which cuts across the opponent's strike in such a way that the opponent's power is defused and your punch strikes first.

At the technique-level circular movements are often used to simultaneously re-direct and strike. These moves are in a sense blocks even if they are also strikes.

But when I was ten years old and started learning Springy-Legs, Tantui (Northern Shaolin), I had to develop solid stances. A good way to test six harmonies power in each stance is to see if the student can keep their arm up while you take a swing at them. Beginning students should pass through a blocking-techniques stage of practice. Good blocking skills can help with integration, structure and relaxation.

I went to a middle school (age 11-13) where kids wore razor-blades on chains around their necks. It was a sweet time. The Latino gangs were the most dangerous, but I was on the inside of that by the middle of my second year. Some of the taller black kids were under a lot of pressure to prove themselves violently and they started the most fights.

At the end of the P.E. (Physical Education) period we went into the locker room to change out of our P.E. uniforms and back into our street clothes. The locker aisles were exquisitely dangerous, we all learned to change in under 20 seconds. But the time alotted for changing was more like 10 minutes so about 50 of us would cram into this space with the lockers to our backs and the doors to freedom in front of us for 9 minutes and 40 seconds.

This wide hallway had a red line that split the room in half. O.J. Simpson went to my Middle-School and his first-place time in Track was on the top of the board in this very hallway. On one half of the hallway were the doors to freedom and a gym teacher, on the other half all of us, crammed together. We were all wearing backpacks which served as a little bit of spine protection. The taller black kids would practice punching everyone else. If you kicked or punched back, the possibility of major escalation was high. The best strategy was to block the punches.
I did not advertise my Shaolin training, however those blocking skills proved to be pretty handy, and earned me some "respect."
Blocking skills should be discarded if you want to develop higher level, non-defensive, skills. Still they have a place.

Grip

I stopped at a gas station in the middle of nowhere on the way to the mountains last month. I checked the oil and it was pretty low so I bought a couple of quarts. I worked in a gas station when I was 14 so I know some tricks for getting a good grip, but my engine was really hot and the oil cap wouldn't budge. I went looking around in my trunk for someway to get more leverage and came up empty. I felt my manhood was being challenged. Just then a thick stocky man, about 6 inches shorter than me said, "Can I give you a hand." I'm sure I looked embarrassed but then I looked at his hands and they were clearly twice the size of mine, his fingers were as thick as cigars. "Sure, uhh...thanks" I said, and he unscrewed it. I asked where he got such huge hands and he said it was his Scottish ancestry.

Bone crushing power like that can not be trained.

I've been looking around the internet for a good picture of a bundle of chopsticks used for developing twisting power and grip strength. I don't see one, but I've done a fair bit of this type of training and I recommend it.

Grabbing is often considered inferior to striking or throwing because if my hands are closed around my opponent's body they aren't free for fighting. In a one-on-one match if someone grabs my wrist, I still have my hand free.

But that's generalizing, in reality there are many different types of grabbing that are effective.

If your grip is strong and well placed it can cause a lot of pain and injury or death to your opponent. For this type of grip to work your wrist, elbow and shoulder must be free to move, not rigid. Your nails must lengthen out like a cats claws with the intent to pierce the skin. The two smallest fingers are actually the strongest part of one's grip for holding, but the two larger fingers combined with the thumb are often superior for piercing.

In Taijiquan the movement "Cai" or plucking is a type of very light grabbing used only when your opponent is already leaning. Cai uses the two larger fingers with the thumb to move you partner on a 45 degree angle toward the ground. It requires no strength training, just sensitivity and clear intention (yi).
Likewise, good grappling technique does not require strength, it is all about positioning and timing. If I get you in a hold it's because I'm sensitive and you've made yourself vulnerable; it can't be planned unless one is using a surprise attack. If I've got you in a hold I can increase the pain or brake the joint with little effort. If I don't have you in the hold, strength isn't going to help me get there.

Half grips are used a lot to suddenly jerk your opponent. Done well these can cause dislocations, but they don't require that you hold on to your opponent, so a light grip works fine.

Curved fingers are used for plucking tendons. This technique is like a grab but the hand doesn't usually close.

What is important about a grip is that it connects to your torso. Twisting a bundle of chopsticks is a good technique for developing this because you are effectively twisting one arm against the other and the two arms meet in the torso where the real power should come from. You can do a simular thing with two hands on a spear.

I also practice a light dynamic grip by using a jian (double edged sword) with a slippery handle.

To develop the ability to inflict pain, you need a willing partner who lets you know what really hurts and what doesn't. You can also practice on yourself to some extent.

Making fists correctly will really develop your hands and improve your grabbing skills. If you don't practice making fists all day long, you're probably not a martial artist. It is painful to hold a solid, tightly packed fist for five minutes unless your technique is good. If it hurts, it is wrong (the spirits have left the body.)

Grabbing should be relaxed. When your hand closes it should feel like your whole torso is wrapping around something, all your organs and big muscles should support the movement. Developing Popeye forearms is a waste of time.